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Still, while the mattes are far from as flexible as the animation options in higher-end software, they’re a fun and accessible way to add visual flair to videos. These are fun graphics that reveal or frame a clip in interesting ways, and there are 37 to choose from.Īgain, though, the guidance is basic – it tells the user to change the track matte settings a certain way, without explaining what the settings actually do. The other new guided edit takes the user through adding an animated matte to a video.
Adobe Premiere Elements 2021: Animated matte overlaysĪnimated mattes enable you to creatively frame your footage (Image credit: Adobe) It’s also odd that Adobe has prioritised adding this guided edit for existing functions and hasn’t added one for the new motion tracking.
#ADOBE PREMIERE ELEMENTS TRIAL VERSION HOW TO#
That said, the guidance is still very basic, and further explanations would be useful, such as how to move the video clip around or animate the mask. The actual functionality here isn’t new – you could achieve the effects in previous versions of Elements – but the guide does introduce users to numerous tools. It shows you how to use blend modes and filters to give this resulting video various looks. The double exposure guidance involves combining a mask, either from the included graphics library or your own photos, with a video clip. The 2021 edition includes two new guided edits – double exposure and animated mattes. They’re useful in helping you learn the ropes and build confidence using the interface.
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If you’re looking for something more than basic editing, appreciate on-board tutorials, enjoy adding effects and having the option of performing simple edits through to more complex ones, with full control over either option, you may well find Premiere Elements a worthy addition to your video editing toolkit.The guidance allows you to combine a video clip and a framing graphic (Image credit: Adobe)Ī key feature of Elements is guided edits, which take the user step by step through various tasks.
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However you can download a trial version to check for yourself and see if Adobe deserve your hard earned money.
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It’s always hard to compete with free software, and although Premiere Elements is giving a good go of it, it feels the changes might not be enough to compete effectively. The Expert mode is more what you would expect a video editor to look like, but the interface itself hasn’t changed in years, is really starting to feel dated, and there are a lot of competing products out there that offer the same, sometimes a lot more, and some for less. If you’re new to video editing, you’ll appreciate the Quick side of the interface, but chances are you’ll outgrow it pretty fast. It’s good that it’s available as a one-off payment and not as part of a subscription package, it’s good that it’s easy to use, and refinements are being regularly made. New features are always welcome, and it’s good to see that Adobe are keeping Elements alive, but there’s really nothing that stands out about this software. The new Time-Lapse is an easy way to speed up your clip. Not earth shattering for 2020, but nice to know it can be easily done in Premiere Elements. The animated sky feature is merely a way to key out a background. The new background removal for photos is simply a keying tool that works quite well if your background is uniform (Image credit: Adobe) This can really mess up novice users, but it’s been a “feature” of Premiere Elements for years, so it doesn’t look like that will change any time soon. Switching back to Quick will only allow you to see the first layer, although the edit will still display any video clip on other layers as you play the footage back – but you won’t be able to see them in the edit section itself until you go back to Expert mode.
Switching between both modes is done by clicking on the title in the top menu bar, but it can create confusion, especially if you’ve worked with multiple layers. This is where you can edit using multiple layers of both audio and video. If you’re familiar with other video editors, this is the interface which you might more easily recognise. Thankfully once you’ve dragged the effect onto your clip, you gain access to all the sliders you need to customise it.īut if you need even more customisation options, that’s where the Expert interface comes in. It’s so small, it’s hard to properly see what you’re applying. Nothing has really changed on that front for years.įor instance, each effect is represented by a tiny thumbnail of a hang glider, with the effect applied to the thumbnail. You actually have a good range of tools to use, but the interface feels dated. String them together, add transitions and effects, it’s all very simple and straightforward. There, each clip, no matter how long, is represented by a rectangular thumbnail. But stringing a few clips together, with titles, transitions and effects, is but a few clicks away (Image credit: Adobe)
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